ABOUT CYANOTYPES

Cyanotypes are photographic prints made using the sun and a bit of chemistry (no camera used!). The process is a science as much as it is an art.

Cyanotypes were discovered in 1842 by a chemist named Sir John Herschel, who found that mixing two chemicals together resulted in a solution that turned blue when exposed to sunlight. The cyanotype formula is made by mixing Solution A (25% Ferric Ammonium Citrate in water) and Solution B (10% Potassium Ferricyanide in water) together in a 1:1 ratio.

When a plant or other opaque object is placed on the surface of coated paper, it blocks sunlight during exposure, which prevents the covered solution from turning blue. To set or fix a cyanotype print, it is rinsed in running water, washing away any unexposed chemistry and stopping the exposure. The resulting print is a stunning Prussian blue and white negative of the item used during printing.

Herschel introduced the discovery of cyanotype to his friend, Anna Atkins, a botanist. Atkins had an impressive collection of plant specimens (which she later donated to the British Museum). Atkins quickly got to work using the cyanotype process to document the algae, ferns, and other plants in her collection. The process was faster and more accurate than drawing. In 1843, Atkins published her (and the worlds!) first book of photographs, called "British Algae" which was a hand-printed and bound book of cyanotype prints, each labeled in text that Atkins made from seaweed.

You may have seen cyanotype prints without even realizing - blueprints earn their name from the way they are made - contact prints on a surface coated with cyanotype solution! Blueprints are (unfortunately) no longer made using the cyanotype process. But, many people use digital negatives printed on transparency sheets or even hand drawn sketches on acetate to create prints that emulate a similar feel to the original blueprints.

Printing with the cyanotype process today grants us the unique ability to connect with past and present at the same time. It allows us to engage in a scientific process while creating artistic works. Diving deeper reminds you to slow down, pay attention, and take in the world around you. When you think in cyanotypes, you think in shadows, and in refracting light. You may find yourself picking up an interesting leaf, or spotting a littered piece of mesh you may never have noticed before. The possibilities with cyanotype are truly endless, and will keep you noticing new things every single day.